Atomos Sumo 19" Set

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More than just a monitor – Sumo 19 is the perfect tool to bridge your 4K HDR workflow across multiple cameras, audio and Atomos devices. Sumo 19 is a Monitor-Record-Switcher, and highly adaptable to suit multiple applications. Unlock the true potential of your RAW cinema cameras with the Sumo 19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo 19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT and more.

Physical Specifications
Dimensions (W x H x D mm) 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without feet), 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with feet)
Weight 5.45kg / 12.0lb
Rack height Optional 3rd party
Mount points 1/4-20 screw; 4 x top, 4 x bottom, 2 x side , 3/8-16 screw; 2 x top, 2 x bottom, 1 x side
VESA mount 100 x 100mm
Environmental
Ambient operating temperature Up to 40° C
Construction and Control
Body Aluminium alloy chassis with ABS Polycarbonate back plate
Cooling Actively controlled fan and Heat Sink
Tally light Rear and front
Multi-function button Power / lock Screen
Power
Input voltage DC 12-16.8v, Battery 14.4V nominal
Operating power 75W
Compatible batteries V-Lock / Anton Bauer via XLR terminal, (optional mounting plates available) , 95Wh or larger recommended.
Battery Run time (Record) Battery dependent
Continuous power Dual Battery input via dedicated 4 pin XLR
DC in connector 4 pin XLR
Display
Touchscreen SuperAtom IPS panel (capacitive touch)
Size 19 inch
Resolution 1920 x 1080
PPI 120
Bit depth 10Bit (8+2 FRC)
Backlight Type Edge lit
Brightness (cdm2 / nits) 1200nit (+/- 10% @ center)
Aspect ratio 16:9
De-interlace mode Yes, Graphic burning protection
Color Gamut Rec.709
Calibration support Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Color Pipeline
Gamma Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display .Cube Format
3D LUT Down Stream Loop out
3DLUT 50/50 Yes
Monitoring Modes Native / HLG / PQ / 3D LUT
HDR output Conversion Log / HDR to HLG / PQ
Video Input
HDMI 1 x HDMI (2.0) 4k p60
HDMI RAW No - HDMI Video only
SDI Quad link 3G SDI, with 2 x 6G SDI backwards compatible, auto detection
SDI RAW Apple ProRes RAW up to 6k
Bit Depth 8/10Bit Video / RAW up to 12Bit
Video Chroma Subsampling 4:2:2
HDCP copy protection Not supported
Metadata
HDMI RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
SDI File Name from Arri, RED
Video Output
HDMI 1 x HDMI (2.0) 4k p60
SDI loop out 1 x 12G SDI Backwards compatible Autodetection level A and B selectable
SDI Play out 1 x 12G SDI Backwards compatible Autodetection level A and B selectable
Video Chroma Subsampling 4:2:2
Bit Depth 10Bit Video / 12Bit RAW
Web Streaming
USB UVC Optional via Connect 4k
Video Signal Conversion
HDMI to SDI Yes - Video and RAW
SDI to HDMI Yes - Video and RAW
Audio In/Out
Audio Quality 24/48kHz
Audio Codec PCM
HDMI 8ch 24Bit, input dependent
SDI 12ch 24Bit, input dependent
Analogue Audio in 2 x XLR
Analogue Audio Out 2 x XLR
Speakers 2 x 5w
Headphone out 3.5mm 2ch.
Timecode / Sync
Embedded HDMI and SDI
Time of day Yes, Time and Date
LTC LTC via BNC input in Record mode
Genlock GenLock in Playback mode
Resolution and Frame Rates (Record, Monitor & Playback)
6k RAW Only up to 30p via SDI Only
4k DCI 23.98/24/25/29.9/30/50/59.94/60p
4k UHD 23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p
FHD 1920 x 1080 Progressive 23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF Converted to P and looped out PsF
FHD 1920 x 1080 Interlaced 23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p 50/59.94/60p
Recording CODEC
CDNG For SDI RAW inputs Only
Apple ProRes RAW ProRes RAW, HQ
Apple ProRes LT, 422, 422HQ
Avid DNxHD 220x,220,145,36
Avid DNxHR LB, SQ, HQ, HQX
Playback
Playlist Yes, Create customer play lists from full or sub clips
Loop Yes, with user customisable in / out markers
Apple ProRes Raw Yes, recorded clips
Apple ProRes Yes, with Linear PCM audio
Avid DNx Yes, with Linear PCM audio
Recording functions
Pre-roll record Yes (HD 8s, 4K 2s) - Not available in RAW
ISO Record Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
Switched Program Record Yes Up to 1080p 60
Multi Input / Switching
SDI A/B toggle Yes, Up support up to 12G SDI per input
Dual Input display Via Multi ISO input mode
Multiple SDI input Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Input transitions Auto or manual XML transition
Supported media
Master Caddy I Not compatible
SSDmini Yes BUT ONLY with optional SSDmini handle
File Naming Unit Name - Scene/Shot/Take, Arri & RED via SDI
File System ExFAT
On screen tools
Waveform Yes, 3 size / Position
RGB parade Yes, 3 size / Position
Vector scope Yes, 2 size / Position
1 x Zoom Yes. 1:1 Pixel mapping for 4k
2 x Zoom Yes
Focus peaking Colour selected / threshold setting / colour/ Mono / edges only
False colour Yes, with Scale
Zebra Yes, Adjustable
Isolate color channel Blue Only
Cine Frame Guides 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Safe areas Action and Graphic
Anamorphic desqueeze 1.25x, 1.33x, 1.5x ,1.8x, 2x
Display Flip Vertical Only
Onboard Signal Processing
Pulldown Removal 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)
4K UHD Downscale for HD Loop out - 4K UHD to FHD
DCI Crop Loop out - 17:9 to 16:9 Crop
Remote control
HDMI Auto HDMI Trigger, Supported Protocols - Canon, Sony,Atomos Open Standard
SDI SDI trigger camera selectable
Serial 2.5mm Jack LANC control and calibration viaoptional USB to serial cable
External Device Control
Supported Applications
XML Cut tag EDL and Multicam with transitions in FCP XML
Apple ProRes RAW Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light
Video Codecs All applications with support for Apple ProRes and Avid DNX in .MOV wrapper